CLANDESTINO (tal cual...)

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James Brown
April 12, 1983 -
Rockefeller's,
3620 Washington Avenue,
Houston, TX, USA
Early and Late shows

Early show-
01. "Let's welcome the J.B.'s International" > --Honky Tonk
02. We Came To Play >
03. "Ladies and gentlemen, the J.B.'s International" >
04. "And now, it's star time!" >
05. Rapp Payback (Where Iz Moses?) >
06. It's Too Funky In Here
07. Doing It to Death
08. Try Me >
09. Get On the Good Foot >
10. Prisoner Of Love >
11. I'll Go Crazy
12. Bring It On...Bring It On// (tape flip)
13. //I Got the Feelin' >
14. There Was a Time >
15. Hot Pants (She Got To Use What She Got To Get What She Wants) >
16. Cold Sweat >
17. Papa's Got a Brand New Bag >
18. I Got You (I Feel Good)
19. Please, Please, Please >
20. Jam >
21. Get Up (I Feel Like Being a) Sex Machine

Late show-
01. Crowd/Band warming up
02. "Good evening and welcome to the James Brown show... Let's welcome the J.B.'s International" >
03. Honky Tonk
04. Hot Pants Road
05. We Came To Play >
06. "If you will, ladies and gentlemen - The world famous J.B.'s International" >
07. Don't Ask My Neighbors > #
08. "Let's hear it..." >
09. "And now, it's star time!" >
10. Rapp Payback (Where Iz Moses?) >
11. It's Too Funky In Here
12. Doing It to Death
13. Try Me
14. Prisoner Of Love >
15. Get On the Good Foot// (tape flip)
16. Get On the Good Foot (conclusion) >
17. Georgia On My Mind
18. Bring It On...Bring It On
19. I Got the Feelin' >
20. It's a Man's Man's Man's World >
21. There Was a Time >
22. Hot Pants (She Got To Use What She Got To Get What She Wants) >
23. Cold Sweat >
24. Papa's Got a Brand New Bag >
25. I Got You (I Feel Good)
26.E: Please, Please, Please >
27. Jam >
28. Get Up (I Feel Like Being a) Sex Machine


James Brown (James Joseph Brown) - vox, dance moves, soul
the J.B.'s International:
Ron Laster - guitar, MC
Jimmy Nolen - guitar
Jerry "Loui" Poindexter - keys
"Sweet" Charles Sherrel (b.Charles Emanuel Sherrell) - keys, bass, b.vox
Fred Thomas - bass, b.vox
Arthur Dickson - drums, percussion
Tony Cook - drums, percussion
St.Clair Pinckney - tenor saxophone, baritone saxophone, vox
Hollie Farris - trumpet, b.vox
Jerone Jasaan Sanford (b.Jerome Jasaan Melford) - trumpet, b.vox
Joe Collier - flugelhorn, b.vox
Martha High (b.Martha Harvin) - b.vox, #=vox
Danny Ray - valet, emcee, 'cape man'

Mono SBD recorded on a Sony TC-D5M cassette deck using Maxell UDXLII C-90 Tape with Dolby B.
Played back on a Nak Dragon through an Avid MBox Mini III into a PC running WaveLab 6.11 software.
The resulting WAVs were tracked and faded in Audition.
Resulting WAVs were then converted to FLAC (Level and .ffp's were generated using Trader's Little Helper.
The FLACs were tagged using foobar2000 v1.1.7.

Hola,

El "garito" va a dejar de funcionar "con solvencia de conciertos" unos pocos día (eso espero....) ya que en un "traslado entre salas" el disco duro externo ha tenido un accidente denominado "caída del bolsillo y leñazo contra el suelo", de momento no dispongo de los conciertos "preseleccionados pero no emitidos" (los subidos los tengo en Dropbox y en otro disco; el lunes lo llevaré a que "lo miren"... en cualquier casonada se ha pedido definitivamente ya que "controlo las fuentes" pero volver a descargar y seleccionar (la m. a la basura) es un auténtico currazo....

Lo único seguro es el "Los Lunes al Jazz" que emitiré sí o sí.......

En cualquier caso hoy iremos al Quijote (en Mala) donde toca una banda de covers de los Stones, "la música live y la priva no ahogan las penas pero.... las hacen más llevaderas; lo primero "alegra las orejillas, lo segundo "alegra el body (si no te excedes mucho)", sobre todo si estas con los amigos..... si hay paciencia (y ya estás jubilado) hay tiempo para todo.... salvo para escuchar "esa música que me hace vomitar" y que para no ofender no diré géneros ni bandas....

Después "del hachazo de ayer" con mi disco duro externo con mogollón de conciertos descargados y "pasado el primer filtro" K.O. (mañana veremos si me lo pueden recuperar), hay que seguir "pa' lante"..... con energía y "caña al mono".... tres conciertos de George  Thorogood & The DESTROYERS (me viene "al pelo", ya que puede que yo tenga más de un tera "destroyed"....)



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George Thorogood and The Destroyers
November 23, 1977
ÒWednesday Night Jamboree & HootenannyÓ
Live at The Boarding House in San Francisco
FM broadcast recording

A hitwitstuff2 2017 Moosetrack Remaster!

Normal Bias Moosetrack Cassette played with corrected speed on a Morantz PMD 502 to a Macbook Pro and Audacity was used to correct levels and break into tracks. No EQ.
wav Files were converted to flac with Switch.
MD5 was created with xACT.

1. Intro and First Tune
2. Banter and some tuning
3. New Hawaiian Boogie
4. banter and tuning
5. Barbeque Blues
6. Banter-Giving out the Phone Number
7. Move It On Over
8. Banter
9. Cocaine Blues
10. Banter
11.Wanted Man
12.Life's Other Side
13.One Bourbon, One Scotch, One Beer

-tape flip-

14.So Much Trouble
15.Banter
16.Im Ready, Willing and Able to Rock and Roll All NightÕ
17.Banter
18.Ride on Josephine
19.Banter
20 No Particular Place to Go
21.banter
22.IÕve Been Your Good Thing
23.It WasnÕt Me
24.audience wanting more
25.Boogie ChillinÕ



Todos los banters ELIMINADOS.... hay "hiss" pero es muy fajable, concierto "poderoso"....

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George Thorogood and the Destroyers
Live at the Country Club in Reseda, CA Feb. 19, 1981
FM > TDK SA-90 > CDR > EAC > FLAC


01 Intro
02 House of Blue Lights
03 Kids from Philly
04 I'm Wanted
05 Cocaine Blues
06 One Way Ticket
07 One Bourbon, One Scotch, One Beer
08 It Wasn't Me
09 Who Do Ya Love?
10 The Sky is Crying
11 Can't Stop Lovin'
12 Move It On Over
13 Reelin' and Rockin'

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GEORGE THOROGOOD AND THE DESTROYERS
ALADDIN THEATER LAS VEGAS NEVADA(USA) 12-2-1993
PRE FM WW1 MASTER CDS PRE FM FROM THE COLLECTION OF KRW_CO

LINEAGE WW1 SUPERSTAR CONCERT SERIES MASTER CDS TO EAC/WAV TO
AUDIO CLEANING LAB FOR RE-TRACKING EDITING OF ADS
AND EDITING BOTH CDS TOGETHER KRW TRANSFER TO CDR
TO EAC SECURE MODE TO TLH FLAC LEVEL 8

THE BAND
GEORGE THOROGOOD GUITAR VOCALS
BILLY BLOUGH BASS
HANK "HURRICANE"CARTER SAXOPHONE
JEFF SIMON DRUMS
STEVE CHISMAR GUITAR

SETLIST
1 INTRO
2 LONG GONE
3 WHO DO YOU LOVE
4 NIGHT TIME
5 I DRINK ALONE
6 ONE BOURBON ONE SCOTCH ONE BEER
7 GET A HAIR CUT
8 BAD TO THE BONE
9 GEAR JAMMER
10 MOVE IT ON OVER
11 YOU TALK TOO MUCH
12 JOHNNY B.GOODE
13 AD FOR THE SHOW

PLEASE DONT POST THIS ON ANY OTHER TRACKERS WE WILL WHEN WE GET TO IT.
AND PLEASE DONT ALTER THIS RECORDING IN ANY WAY THANK YOU.
AS ALWAYS ENJOY.CHEERS KRW_CO

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The Clash
Sunday, May 10th, 1981
Japp Edenhall, Amsterdam

Source: 2008 FM Broadcast>?>.wav>.flac

Setlist:
1. London Calling
2. The Leader
3. Somebody Got Murdered
4. White Man in Hammersmith Palais
5. The Guns of Brixton
6. Lightning Strikes (Not Once But Twice)
7. Ivan Meets G.I. Joe
8. This Is Radio Clash
9. Charlie Don't Surf
10. The Magnificent Seven
11. Bankrobber
12. Train in Vain
13. Career Opportunities
14. Clampdown
15. One More Time
16. I Fought the Law


Old FM Radio Recording Info :

Dutch radio recorded the concert and broadcast seven songs. The songs chosen reflect the major musical changes happening in the band with a run of 3 lengthy Clash rap/funk songs:
Lightning Strikes, Radio Clash and Magnificent Seven, sandwiched between more traditional Clash fayre of London Calling, White Man in Hammersmith Palais, Bankrobber and I Fought The Law.

There are 3 circulating versions of this source. The original 7-song source has marginally better sound than the 8-song source found on the end of Stockholm’s Burning (and on the end of
the full audience source). The 8th song is One More Time with markedly poorer sound but from the soundboard radio source, suggesting that the rest of the concert may circulate from
this source one day.

The radio station mix has Mick’s guitar in the left channel and Joe’s in the right, with vocals, bass and drums centred. A highly enjoyable sound reflecting the move away from the
lead guitar dominance of the concert sound mix in 1980 (especially the May/June dates) to the pared down lead guitar sound and greater prominence of the rhythm section and vocals on
this tour.





Como todos los lunes, mañana habrá JAZZ (ya me las apañaré... recuperando / descargando del T.U.B.E.); que es exactamente lo que he hecho hoy........

Me acabo de poner al día quemando HD. Muchas gracias.

Pablo, muchas gracias a ti.

276








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Bill Evans Trio
1960-03-xx
at Birdland, NY, NY

Symphony Sid Show at Birdland on Fridays

Broadcasts
* 12 March, 1960
* 19 March, 1960
* 30 April 1960 and
* 7 May 1960
(These are Saturdays, the concerts were Friday night, but air time was immediately after midnight into Saturday)

Lineage: FM > CD > EAC > WAV > FLAC

The Legendary Bill Evans Trio: The 1960 Birdland Sessions

Bill Evans - Piano
Scott LaFaro - Bass
Paul Motian - Drums
Symphony Sid - MC

12 March 1960
01. Autumn Leaves (Kosma/Mercer/Prevert) - 4:56
02. Our Delight (Dameron) - 6:38
03. Beautiful Love/Five (Theme) (Evans/Van Alsytne/Young) - 5:24

19 March 1960
04. Autumn Leaves (Kosma/Mercer/Prevert) - 6:48
05. Come Rain or Come Shine/Five (Theme) (Arlen/Mercer) - 5:08

30 April 1960
06. Come Rain or Come Shine (Arlen/Mercer) - 4:55
07. Nardis (Davis) - 7:26
08. Blue in Green (Davis/Evans) - 6:14
09. Autumn Leaves (Kosma/Mercer/Prevert) - 7:09

7 May 1960
10. All of You (Porter) - 6:58
11. Come Rain or Come Shine (Arlen/Mercer) - 4:39
12. Speak Low (Nash/Weill) - 6:48


March 12th 1960, Birdland, New York, NY
49/1 March 12th on the Books (Autumn Leaves) 4:39
49/2 Fingerology (Our Delight) 6:09
49/3 Ides of March (Beautiful Love) 4:43

March 19th 1960, Birdland, New York, NY
49/4 March 19th Improvisations:
a: Autumn Leaves 6:17
b: Come Rain or Come Shine 4:20

April 30th 1960, Birdland, New York, NY
49/5 Billie Bounces Light:
a: Come Rain or Come Shine 4:40
b: Nardis 7:00
c: Blue in Green 6:10
49/6 Autumn Leaves 5:50

May 7th 1960, Birdland, New York, NY
49/7 All of You 6:55
49/8 Come Rain of Come Shine 4:22
49/9 Speak Low 5:56

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NINA SIMONE
Montreux Jazz Festival
Casino
Montreux, Switzerland
July 13, 1990

Source: Soundboard
Lineage: CD-R > itunes WAV encoder > FLAC (level 4)

01 Intro > Miles
02 Just In Time
03 Here Comes The Sun
04 I Loves You, Porgy
05 Blue Skies
06 Someone To Watch Over Me
07 Images
08 See-Line Woman
09 I Put A Spell On You
10 Don’t Smoke In Bed/Band Intro
11 Liberian Calypso
12 Four Women
13 Mississippi Goddam
14 No Woman No Cry
15 My Baby Just Cares For Me
16 Ne Me Quitte Pas

Nina Simone - piano, vocals
Alvin Schackman - guitar, vibraphone, synthesizer
Leopold Fleming - percussion
Paul Robinson - drums

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Charles Mingus & The Jazz Workshop All Stars
The Complete Birdland Broadcasts
Symphony Sid Show - WADO (1280)
1961-1962
Birdland
New York, NY

Source: FM > acetates > reels [2-track, 7½ ips] > Soundforge [eq] > CDR > CDR > EAC > FLAC(7)
Notes: Master (all 7 broadcasts), FM announcements, some loud hiss, A-/B+


Disc 1 (68:46)

1961-10-21
Pee Wee Marquette (announcements)
Charles Mingus (piano)
Jimmy Knepper (trombone)
Yusef Lateef (flute)
Roland Kirk (tenor sax, manzello, stritch)
Doug Watkins (bass)
Dannie Richmond (drums)

01. Blue Cee (7:42)
02. Ecclusiastics (9:30)
03. ? "...has no title, but it's on BMI" (3:20)

1962-03-24
Charles Mingus (bass)
Richard Williams (trumpet)
Booker Ervin (tenor sax)
Charles McPherson (tenor sax)
Jaki Byard (piano)
Dannie Richmond (drums)

01. Dead Air w/ Symphony Sid (1:04)
02. Take The "A" Train (Ellington/Strayhorn) (10:47)
03. Fables of Faubus (10:52)
04. Eat That Chicken (3:02)

1962-03-31
Charles Mingus (bass)
Booker Ervin (tenor sax)
Richard Williams (trumpet)
Charles McPherson (alto sax)
Toshiko Akiyoshi (piano)
Dannie Richmond (drums)

01. Monk, Funk or Vice Versa (11:47)
02. Oh Lord, Don't Let Them Drop That Atomic Bomb On Me, Drop It On Themselves, Coz They Made It (7:51)
03. Eat That Chicken (2:45)


Disc 2 (63:11)

1962-05-05
Charles Mingus (bass on 3; piano on 1,4,5)
Booker Ervin (tenor sax)
Richard Williams (trumpet)
Charles McPherson (alto sax)
Toshiko Akiyoshi (piano on 2,3)
Herman Wright (bass on 1)
Henry Grimes (bass on 2,4,5)
Dannie Richmond (drums)

01. Eat That Chicken (3:35)
02. Reets and I (Harris) (8:05)
03. Monk, Funk or Vice Versa (10:33)
04. Devil Woman (9:48)
05. Eat That Chicken (1:41)

1962-05-12
Charles Mingus (bass)
Booker Ervin (tenor sax)
Charles McPherson (alto sax)
Toshiko Akiyoshi (piano)
Henry Grimes (bass)

01. Introduction by Symphony Sid (0:30)
02. Peggy's Blue Skylight (14:46)
03. Tijuana Table Dance (a.k.a. Ysabel's Table Dance) (12:18)
04. Eat That Chicken (1:51)


Disc 3 (53:22)

1962-10-19
Charles Mingus (bass)
Edward Armour or ? (trumpet)
Don Butterfield (tuba)
Charles McPherson (alto sax)
Pepper Adams (baritone sax on 2-4)
Jaki Byard (piano)
Dannie Richmond (drums)

01. I Can't Get Started (Duke/Gershwin) (6:34)
02. Monk, Funk or Vice Versa (7:10)
03. Please Don't Come Back from the Moon (8:05)
04. Eat That Chicken (1:58)

1962-10-26
Charles Mingus (bass)
Edward Armour (flugelhorn)
Don Butterfield (tuba)
Charles McPherson (alto sax)
Pepper Adams (baritone sax)
Jaki Byard (piano)
Dannie Richmond (drums)

01. Eat That Chicken (2:23)
02. Monk, Funk or Vice Versa (9:25)
03. O.P. (9:12)
04. The Search (8:32)

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Sun Ra Arkestra
Parody Hall
Kansas City, MO
May 11 1985
soundboard>?>cdr>eac(secure mode)>flac(level 6)



set 1
1 unidentified improvisation
2 Astro Black/A Lost Horizon/(The World Is Waiting) For the Sunrise
3 unidentified Swing piece
4 unidentified blues (tape flip)
5 Queer Notions
6 Days of Wine and Roses
7 Happy As the Day Is Long
8 Day Dream
9 Mack the Knife

set 2
1 untitled improvisation (cuts, tape flip)
2 untitled improvisation/blues
3 unidentified blues
4
5 piano intro to >
6 Space Is the Place/We Travel the Spaceways (cuts)

personnel (thanks to RL Campbell)
Sun Ra - piano, synthesizer, organ, vocals
Walter Miller - trumpet
Ronnie Brown - trumpet
possibly Fred Adams - trumpet
probably Dick Griffin - trombone
unidentified - trombone
Marshall Allen - alto saxophone, flute, EVI, percussion
John Gilmore - tenor saxophone, clarinet, timbales
Ronald Wilson - tenor saxophone
Eloe Omoe - alto saxophone, bass clarinet, contra alto clarinet, percussion
Danny Ray Thompson - baritone saxophone, flute, percussion
James Jacson - bassoon, Ancient Egyptian Infinity Drum, vocals
Rollo Radford - electric standup bass
Avreeayl Amen Ra - drums
unidentified - conga, percussion
June Tyson - vocals

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Thelonious Monk Quartet
Tivolis Koncertsal
Copenhagen, Denmark
February 21, 1964


*Thanks to Carl-Bernhard Kjelstrup AKA "Red" or "cakjels" for this wonderful show.

Personnel:
Charlie Rouse (ts)
Thelonious Monk (p)
Butch Warren (b)
Ben Riley (d)


1.set

Tracklist:
1. I'm getting sentimental over you (cut) 6:11
2. Bright Missisippi 8:22
3. Epistrophy (cut) 2:56
4. Stuffy Turkey 9:38
5. Evidence (pitch probs) 9:10
6. Drum solo 0:51
7. Misterioso 9:03

2.set

Tracklist:
1. Epistrophy 4:24
2. Blue Monk 9:00
3. Brake's Sake 8:49
4. Ruby, My Dear 8:58
5. Misterioso 6:14
6. Don't Blame me (cut) 2:54



FM broadcast > cassette > cdr > dBpowerAMP Music Converter (r13) > goody: Nero Wave Editor > TLH

Esto es una barbaridad, una joya que todo seguidor de Lou Reed debe escuchar a atesorar...... el Captain Acid es un viejo conocido de esta casa (DeadHead de pro) y de Expecting Rain (Dylaniano de pro) que hace una extraordinarias remasterizaciones.




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LOU REED
1974-10-27
Dayton soundboard recording

Hi Lou fanatics,
I have done phase, level, pitch correction and new EQ
Captain Acid, March 2022

ORIGINAL INFO:

"....when you flip out on Thorazine and crystal smoke, you CHOKE like a son of a gun....."
WARNING: this is probably the best Lou Reed live recording you will ever hear - play LOUD!

Palace Theatre
Dayton
27 October 1974
(with some tracks from the Felt Forum, New York, 09 October 1974)

disc 1
D101 Tuning* 1.24
D102 Intro* 2.36
D103 Sweet Jane* 5.14
D104 Vicious* 6.19
D105 Ride Sally Ride 4.19
D106 Heroin 10.59
D107 Kill Your Sons 7.26
D108 NY Stars 4.54

disc 2
D201 Animal Language 3.04
D202 Waiting For The Man/Sally Can't Dance 9.27
D203 Bass Solo 3.42
D204 Walk On The Wild Side* 4.20
D205 White Light White Heat 5.33
D206 NY Telephone Conversation/Goodnight Ladies 1.42
D207 Rock And Roll 12.23

Tracks D101, D102, D103, D104 and D204 are MONO soundboard recordings from the Felt Forum, New York, 09 October 1974
The remaining tracks are STEREO soundboard recordings from the Palace Theatre, Dayton, 27 October 1974

Lou Reed: vocals. amphetamines, foul language
Danny Weiss: guitar
Prakash John: bass (definitely tracks D101, D102, D103, D104, D204 and possibly all the others)
Peter Hodgeson (?): bass (possibly the tracks recorded at Dayton)
Michael Fonfara: keyboards
Peter "Mouse" Johnson: drums

Lineage: CDr - (EAC, secure mode) - wav - flac (level - you



The late 1974 US tour to promote "Sally Can't Dance" was Lou's amphetamine and alcohol - fuelled assault on the unsuspecting youth of North America. The RCA publicity machine had moved into top gear, but Lou was speeding way, way ahead of them.
While they were pushing him as a user-friendly glam-rock/white soul superstar, he was dying iron crosses in his hair, living with a half-Mexican transsexual called Rachel and (simulating) shooting up on stage.
The new LP and 45 were being being heavily promoted via nationwide TV ads featuring our man in trademark leather jacket, blonde hair and shades (...follow the bouncing ball and sing along with Lou.....).
Whatever RCA were doing, it worked, and "Sally" was in the US top 10 LP chart. Lou was later quoted as saying "....I slept through that LP - whatever they suggested I said yes....".
It seemed that the further Lou descended into self-parody, the more records he sold, and the more pressure RCA put on him to produce even more "product".
This would ultimately backfire in mid 1975, when he vomited up "Metal Machine Music" and then had a very public breakdown during the Australian leg of the '75 world tour. Lou wouldn't perform in public again until late 1976.

I think this is a simply outstanding show. Lou may be out of it, but the band most certainly are not. I love the way you can hear Lou slapping the mic stand at the end of "Vicious".
The vocals alternate between detached and manic throughout this set, but are particularly expressive during "Kill Your Sons" (surely the best EVER live version of this song).
It's as if he's standing on the edge of a cliff and he's just about to jump off because he KNOWS he can fly. This tour was the only outing for "NY Stars" and "Animal Language" - these live renditions sound better than the studio versions to me.
You can hear him sneering as he spits out the words to "NY Stars". It sounds as if someone broke a string during "Animal Language": the band start a loose jam while it's being replaced.
Lou starts vamping the words to "Waiting" during the jam, and just continues singing it when the band move on to the "Sally Can't Dance" riff.
The end result is a unique medley of "Waiting" and "Sally" (you have to wonder how long it took Lou to realise he was singing the wrong song - he did pretty much the same at the Chalmette show in November, singing "Vicious" while the band played "Sweet Jane").
"White Light White Heat" is a heavy metal prototype for every late 1970s punk band. "Goodnight Ladies" is a gas, with the whole band gathering round the microphone - you can (just) hear someone in the background asking where the "Jacks" (Jack Daniels) is.....they were having a good time. "Rock And Roll" is simply sublime.

The stereo recording made at Dayton was missing "Intro/Sweet Jane" and part of "Vicious" and there was a tape break during "Wild Side": mono soundboard recordings from the New York concert have been used to replace those songs.


Share the music!


Traducción de los comentarios del Captain:

La gira estadounidense de finales de 1974 para promocionar "Sally Can't Dance" fue el ataque de Lou alimentado por la anfetamina y el alcohol contra la juventud desprevenida de América del Norte. La maquinaria publicitaria de RCA se había puesto en marcha, pero Lou iba a toda velocidad por delante de ellos.
Mientras lo promocionaban como una superestrella del glam-rock y el soul blanco, se tiñía el pelo con cruces de hierro, vivía con una transexual medio mexicana llamada Rachel y (simulaba) dispararse en el escenario.
El nuevo LP y el 45 estaban siendo fuertemente promocionados a través de anuncios de televisión a nivel nacional que mostraban a nuestro hombre con una chaqueta de cuero característica, cabello rubio y gafas de sol (... sigue la pelota que rebota y canta junto con Lou.....).
Lo que sea que RCA estuviera haciendo, funcionó, y "Sally" estaba en la lista de los 10 mejores LP de Estados Unidos. Más tarde, Lou fue citado diciendo: "... Dormí durante ese LP, lo que sea que me sugirieran dije que sí...".
Parecía que cuanto más descendía Lou a la autoparodia, más discos vendía y más presión ejercía RCA sobre él para que produjera aún más "producto".
Esto finalmente sería contraproducente a mediados de 1975, cuando vomitó "Metal Machine Music" y luego tuvo un colapso muy público durante la etapa australiana de la gira mundial de 1975. Lou no volvería a actuar en público hasta finales de 1976.

Creo que este es un espectáculo simplemente excepcional. Lou puede estar fuera de juego, pero la banda ciertamente no lo está. Me encanta la forma en que puedes escuchar a Lou golpeando el soporte del micrófono al final de "Vicious".
Las voces alternan entre desapegadas y maníacas a lo largo de este set, pero son particularmente expresivas durante "Kill Your Sons" (seguramente la mejor versión en vivo de esta canción).
Es como si estuviera parado al borde de un acantilado y estuviera a punto de saltar porque SABE que puede volar. Esta gira fue la única salida de "NY Stars" y "Animal Language" - estas interpretaciones en vivo suenan mejor que las versiones de estudio para mí.
Puedes escucharlo burlarse mientras escupe las palabras de "NY Stars". Suena como si alguien hubiera roto una cuerda durante "Animal Language": la banda comienza una improvisación suelta mientras se reemplaza.
Lou comienza a vampear la letra de "Waiting" durante la jam, y continúa cantándola cuando la banda pasa al riff de "Sally Can't Dance".
El resultado final es un popurrí único de "Waiting" y "Sally" (hay que preguntarse cuánto tiempo tardó Lou en darse cuenta de que estaba cantando la canción equivocada: hizo más o menos lo mismo en el concierto de Chalmette en noviembre, cantando "Vicious" mientras la banda tocaba "Sweet Jane").
"White Light White Heat" es un prototipo de heavy metal para todas las bandas punk de finales de la década de 1970. "Goodnight Ladies" es un gas, con toda la banda reunida alrededor del micrófono, puedes (sólo) escuchar a alguien en el fondo preguntando dónde están los "Jacks" (Jack Daniels..... Se lo estaban pasando bien. "Rock And Roll" es simplemente sublime.

A la grabación estéreo realizada en Dayton le faltaba "Intro/Sweet Jane" y parte de "Vicious" y hubo una rotura de cinta durante "Wild Side": las grabaciones de la caja de resonancia mono del concierto de Nueva York se han utilizado para reemplazar esas canciones.


¡Comparte la música!

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Lou Reed
Paramount Theatre, Denver
April 13, 1989
Lineage: Fm broadcast - CDR (received by trade) - EAC - FLAC - YOU

Setlist: (FM broadcast)

01 Dirty Blvd.
02 Endless Cycle
03 Last Great American Whale
04 Beginning Of A Great Adventure
05 Busload Of Faith
06 I Love You, Suzanne
07 One For My Baby (And One More For The Road)
08 Doin' The Things That We Want To
09 Rock 'N' Roll
10 Video Violence
11 The Original Wrapper
12 Sweet Jane
13 Walk On The Wild Side

Hi everybody!
I uploaded this show some time ago, but after some requests, I'm going to upload it again for you all!
When this one is ready, I'll upload "Bottom Line 21/5/1978", so keep an eye on dime to grab it!
This one it's a FM recording, it sound quite good, though the first songs sound better than the final
ones... Anyway, if you are a Lou FAN, you can't miss any of the shows... :-D

Take care!
Nanuk_99

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David Bowie - The Lost Beeb Tapes
Various BBC Sessions
Label: The Godfatherecords G.R. 375
Audio Source: radio broadcast
Lineage: Silver --> EAC --> WAV --> FLAC 8


From the earliest recordings made in 1967 to the sixteenth session in 2002 Bowie has contributed some fascinating live sets to the BBC archives.

The early recordings of Bowie at the BBC particularly hold great interest and document an artist still trying to find his way in the world with apparent giant leaps in style although if you really study them it’s more of a rapid evolution.

Most of the unofficial recordings have variable sound quality and generally attribute the wrong dates to the various sets Bowie performed up to the early 70s. Pick and mix bootlegs confuse matters still further as do the often repetitive set lists. The official Bowie at the BBC release is by far the best available but is far from complete so this is where this new release from Godfather steps in as in contains many of the important tracks missing from the original release and all in excellent quality.

Okay, the four volumes of ‘The Rise and Rise of Ziggy Stardust’ are more complete still, but have poor quality on some sessions. So if you have the official release then the ‘Lost Beeb Tapes’ makes a sensible purchase filling in most of the gaps in great quality.

The first session documents all the tracks from the Top Gear session of 1967. This vaudevillian period is often derided by Bowie fans but in truth the songs reproduced here live are worthy of re-evaluation and Bowie’s juvenilia is much more refined and developed than many would have us believe. These are clever songs for those with open minds and beautifully played.

‘When I’m Five’ is a sentimental monologue from the 1968 Top Gear Session and is the only full studio recording of the song (A rough demo also exists). The Dave Lee Travis Show of 1969 brings us a great version of ‘unwashed and somewhat slightly dazed’ delivered quite ferociously that in some way could be attributed to the then recent death of Bowie’s father.

The 1970 show offers us ‘Waiting for the man’ and ‘The Width of a Circle’ backed by Bowie’s then band ‘The Hype’. Both songs are guitar heavy workouts almost progressive in delivery.

The John Peel show of 1971 is quite an oddity and unique in sound and structure with various guest vocalists and friends helping Bowie fulfil his Warhol-come-Svengali aspirations. The pick of the sessions is the 1971 Bob Harris show featuring just Mick Ronson and Bowie in a stripped down acoustic set of ‘Hunky Dory’ songs. All the songs are played quite superbly and it’s surprising the whole set didn’t feature on the official release. The 1972 Bob Harris session completes the disc with a full on Ziggy version of the Velvet’s ‘White Light/ White Heat’. So it’s a 10/10 for Godfather so far.

Bonus tracks feature three tracks wrongly attributed to ‘Arnold Corns’ with the exception of ‘Moonage Daydream’. Unfortunately more complete and better quality versions of these three bonus tracks are available elsewhere.

Tracklisting:
01 - Love You Till Tuesday
02 - In The Heat Of The Morning
03 - Silly Boy Blue
04 - When I Live My Dream
05 - Little Bombardier
06 - When I'm Five
07 - Unwashed And Somewhat Slightly Dazed
08 - Waiting For The Man
09 - The Width Of A Circle
10 - Queen Bitch
11 - The Supermen
12 - Song For Bob Dylan
13 - Andy Warhol
14 - Oh! You Pretty Things
15 - Kooks
16 - Fill Your Heart
17 - Amsterdam
18 - Andy Warhol
19 - White Light, White Heat
20 - Lady Stardust
21 - Right On MOther
22 - Moonage Daydream

Tracks 01-05 - Top Gear (18-12-67)
Track 06 - Top Gear (13-05-68)
Track 07 - Dave Lee Travis Show (20-10-69)
Track 08 - Sound Of The 70's: Andy Ferris (25-03-70)
Tracks 09- 13 - In Concert : John Peel (03-06-71)
Tracks 14 - 18 - Sound Of The 70's: Bob Harris (21-09-71)
Track 19 - Sound Of The 70's: Bob Harris (23-05-72)
Tracks 20-22 - Arnold Corns, Radio Luxemburg Studios (10-03-71)

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BBC 50th Birthday Broadcast

Recorded at Madison Square Garden during the rehearsals for the 50th Birthday show 1997. This is an acoustic set broadcast by the BBC on January 8th 1997.

BBC Radio>wav>GoldeWave Edit>CDR>EAC>FLAC

01 Interview
02 The Man Who Sold The World
03 The Supermen
04 Interview
05 Andy Warhol
06 Repetition
07 Interview
08 Lady Stardust
09 White Light White Heat
10 Interview
11 Shopping For Girls
12 Interview
13 Quicksand
14 Aladdin Sane
15 Interview
16 BBC Promo Clip

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THE JIMI HENDRIX EXPERIENCE
At The Beeb
-----------
01 Interview 1
02 Hey Joe
03 Stone Free
04 Love Or Confusion
05 Foxy Lady
06 Purple Haze
07 Killing Floor
08 Fire
09 Interview 2
10 The Burning Of The Midnight Lamp
11 Little Miss Lover
12 Drivin' South (Version 1)
13 Catfish Blues
14 Hound Dog
15 Can You Please Crawl Out Your Window?
16 Hoochie Coochie Man
17 Drivin' South (Version 2)
18 Radio One Theme
19 Spanish Castle Magic
20 Wait Until Tomorrow
21 Day Tripper
22 Hear My Train A Comin'

===========================================

TRACKS 01-05:
Produced by Bill Bebb for Saturday Club
Recorded February 13, 1967
Broadcast February 18, 1967

TRACKS 06-08:
Produced by Bill Bebb for Saturday Club
Recorded March 28, 1967
Broadcast April 1, 1967

TRACKS 09-14:
Produced by Bernie Andrews for Top Gear
Recorded October 6, 1967
Broadcast October 13, 1967

TRACKS 15-17:
Prodcued by Jeff Griffin for Rhythm & Blues
Recorded October 17, 1967
Broadcast November 13, 1967

TRACKS 18-22:
Produced by Bernie Andrews for Top Gear
Recorded December 15, 1967
Broadcast December 24, 1967

===========================================

These are the highlights from Hendrix's 1967 BBC sessions in the best possible sound quality. This set was compiled from the true mono BBC masters and not the poor fake stereo tape dubs used for "Radio One" and "BBC Sessions". The songs have been edited together to flow straight through like a radio braodcast or session tape. I wanted to keep the set down to a concise single disc, so the extra session material included on "BBC Sessions" has been excluded, however, this disc is more complete than "Radio One". This set was designed for audiophiles, but even the casual listener will notice an improvement over the official releases. There was no compression or noise reduction added in the remastering process.

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Buddy Guy & Junior Wells - Live at Nick Vollebregt's Jazz-Cafe, Laren (NL)
broadcasted May 14, 1987

sorry, no lineage; prob. FM - CD-R - EAC –Flac

1 Kansas City -1
2 Five Long Years
3 I Just Wanna Make Love To You
4 Stormy Monday
5 Everything’s Gonna Be Alright
6 Driving Wheel
7 Unkn. Title
8 Miss You -1
9 Look Over Yonder/ Sweet Home Chicago
10 Something On Your Mind/ Mary Had A Little Lamb
11 Everything’s Gonna Be Alright
12 Messin’ With The Kid
13 Ships Out On The Ocean/ Champagne & Reefer


Buddy Guy - voc & gtr
Junior Wells - voc & hca
George Bazemore - g & voc -1
Greg Rzab - b
Jerry Porter - dr
Garrick Patton - as

Otro tremendo concierto del 74', este lo tengo en vinilo (Whatever Happen to Dick and Steve) desde "tiempos inmemoriales", esta remasterización es significativamente superior


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Lou Reed
May 14, 1974
Konserthuset,
Stockholm, Sweden

This copy here is at the correct speed and is combined from 3 different sources with numerous minor flaws
seamlessly repaired.

Other notes: The Swedish state radio company gave Lou and his new live band studio time for rehearsals and
then the first show of the tour at the Concerthouse in Stockholm was recorded for FM brodcast for the
radioshow "Tonkraft".

When this basic source before the final fixes was previously seeded, Sister Ray was cut
by a few minutes so that the show could fit on a single CD. Sister Ray has been restored here to it's full length
from an alternate reel source. I burned this with just the encore on a second disc, but the show can be split
elsewhere or left as the full show on a hard disk if desired (the disc transition is seamless).

Sources:
1. 2 track second generation pre-broadcast reel recorded at 7.5 ips speed [up to I'm Waiting For The Man].

2. Vinyl Bootleg "What Ever Happened To Dick & Steve" [for the rest of the show up until the cut in Sister Ray].

3. 4 track second (or possibly third) generation pre-broadcast reel recorded at 7.5 ips speed [seamlessly merged
from the cut in Sister Ray to the end of the show].

Tracklist:
01 [10:31] Intro/Sweet Jane
02 [07:18] Vicious
03 [04:03] Ride Sally Ride
04 [11:06] Heroin
05 [07:28] Oh Jim
06 [04:57] Walk On The Wild Side
07 [11:08] Rock 'n' Roll
08 [08:39] I'm Waiting For The Man
09 [03:50] Lady Day
10 [05:34] White Light/White Heat
12 [00:12] thanks and crowd before encore

11 [08:10] Sister Ray

The Band
Lou Reed - vocals
Danny Weis - guitar
Prakash John - bass guitar
Penti "Whitey" Glan - drums
Michael Fonfara - keyboards

Enjoy and SHARE!

.

https://theultimatebootlegexperience7.blogspot.com/2012/11/lou-reed-1974-10-27-dayton-oh-sbdflac.html


Gracias Ramón

Saludos
Xavier

"Alive 'N Kickin', sigo en la brecha aunque me temo que el disco externo se ha ido al carallo..... de momento voy día a día ya que todo es recuperable (menos el currazo de decargar/descomprimir y pre-seleccionar calidades de grabación) en T.U.B.E. y Guitars101; el próximo finde nos vamos (con otros tres amigos) tres días a La Lajita en Fuerteventura con la idea de "explorar" por pistas de tierra, a la vuelta me pondré seriamente "al tajo"..



288

Antes de grabar su primer EP (Come On Pilgrin) y su primer LP (Surfer Rosa)....


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PIXIES
WERS Studios
Emerson College, Boston, MA
January 18, 1987
Fm Radio Broadcast
live in-studio

1. The Holiday Song
2. I'm Amazed
3. Rock-A-My-Soul
4. Isla de Encanta
5. Caribou
6. Broken Face
7. I've Been Tired
8. Build High
9. Break My Body
10. Ed Is Dead
11. Nimrod's Son
12. Down To The Well
13. Subbacultcha
14. Boom Chick A Boom
15. Vamos
16. In Heaven

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Pixies
Leysin Festival"
Centre Des Sports, Nyon, Switzerland
July 11, 1991


Tracklist

1 River Euphrates 3:24
2 Bone Machine 2:59
3 Hang Wire 2:06
4 Is She Weird 3:08
5 Subbacultcha 2:05
6 Tame 2:07
7 Isla De Encanta 1:44
8 The Happening 4:49
9 Velouria 3:36
10 Allison 1:10
11 Into The White / Gouge Away 6:25
12 Debaser 2:58
13 Palace Of The Brine 1:37
14 Planet Of Sound 2:28
15 Mr. Grieves 1:59
16 Here Comes Your Man 3:19
17 The Sad Punk 2:30
18 Monkey Gone To Heaven 3:01
19 The Holiday Song 2:40
20 Motorway To Roswell 3:30
21 Vamos 4:31
22 Head On 2:15


Bass, Vocals – Kim Deal
Drums – David Lovering*
Lead Guitar – Joey Santiago
Photography By – Redferns
Vocals, Guitar – Black Francis

Incomplete show

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THE FABULOUS THUNDERBIRDS
Chicago IL.
January 23rd, 1983
(Second Set)
WXRT FM Sunday Night Concert
1986 Re-Broadcast
R.J.P. 10.5 Inch Reel to Reel Master
Transferred and Presented By Krw_co

LINEAGE WXRT FM BROADCAST> R.J.P.(10.5")MASTER REEL TO REEL @ 7.5IPS>TEAC A-7300 REEL TO REEL
W/MANUAL AZIMUTH ADJUSTMENT>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV(24/96KHZ)>
MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(24/96KHZ)TLH FLAC 8

THE BAND
Kim Wilson Vocals harmonica
Jimmie Vaughan Guitar
Keith Ferguson Bass
Fran Christina Drums

SETLIST
1 WXRT
2 Extra JImmies
3 Down The Road I Go
4 Tip On In
5 Low Down Woman
6 My Baby
7 Wait On Time
8 Howlin' Wolf Medley How Long / Sweet Home Chicago
9 I Believe I'm In Love
10 Band Introductions
11 Song For Chicago
12 Tell Me
13 Jumpin' Bad
14 The Crawl
15 WXRT