CLANDESTINO (tal cual...)

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Little Feat with Bonnie Rait
Town & Country Club, Kentish Town, London
December 8, 1988 - Broadcast January 20, 1989 on BBC Radio 1's In Concert Series

BBC Radio 1 FM>Marantz ST 320L Tuner>Aiwa or Teac cassette recorder (master cassette)>wave capture track names, markers & burned to cdr using Magix Music Editor>accuraterip to flac level 8

Setlist:
01 - Hate to Lose Your Lovin'
02 - Oh Atlanta
03 - Man Size Job (Bonnie Raitt on Vocals & Slide Guitar)
04 - Rock and Roll Doctor
05 - Let It Roll
06 - Band Introductions
07 - Old Folks Boogie
08 - Dixie Chicken
09 - Tripe Face Boogie
10 - Willin'
11 - Feats Don't Fail Me Now
Run time:- 59:54



Play It LOUD!

Enjoy.

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John Prine
10/2/94
Village Park
Aptos, CA

Digital Soundboard
Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o
Tayio-Uden CD Masters Extracted As One-Track WAV Files >Audacity (Minor Edits, Normalize, Track Splits) >FLAC (Level + Tags Via xACT 2.37

Recorded By Unknown
Trade DAT Transferred, Audacity, FLAC’d, & Tagged By OldNeumanntapr


Disc I:
01. Aimless Love
02. Six O'Clock News
03. Fish & Whistle
04. Angel From Montgomery (w/ Bonnie Raitt)
05. Spanish Pipedream
06. You've Got Gold
07. All The Best
08. Illegal Smile
09. Sam Stone
10. Space Monkey
11. Picture Show

Disc II:
01. Ain't Hurtin' Nobody
02. Humidity Built The Snowman
03. Lake Marie
04. It's A Big Old Goofy World
05. The Sins Of Memphisto
06. Hello In There

Encore:
07. Please Don't Bury Me
08. He Forgot It Was Sunday
09. Paradise*


KPIG's 2nd Annual Fall Fat Fry.
*Audience Recording, Unknown Date, Location

DO NOT Convert To MP3!
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc.

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ROSANNE CASH
Bremen, Germany
Kulturzentrum Schlachthof
2014-May-01

FM Broadcast > LS11( line in) >wav16/44.1 wav >PC > tracksplitting>flac.frontend lev8 > flac



Setlist (97:38)
01. Modern Blue [3:02]
02. The Sunken Lands [4:37]
03. Etta's Tune [5:06]
04. A Feather's Not A Bird [4:09]
05. Long Black Veil [4:24]
06. Motherless Children [4:30]
07. The World Unseen [6:35]
08. Dreams Are Not My Home [4:46]
09. Ode To Billie Joe [6:40]
10. I'm Movin' On [4:50]
11. Tell Heaven [4:20]
12. 50.000 Watts Of Common Prayer [4:30]
13. Money Road [5:14]
14. When The Master Calls The Roll [6:48]
15. I Don't Know Why You Don't Want Me [4:24]
16. Tennessee Flat Top Box [4:47]
17. Seven Year Ache [4:07]
18. Sea Of Heartbreak [5:52]
19. The Long Way Home [4:19]
20. 500 Miles [4:33]

Rosanne Cash - vocals, guitar
John Leventhal - guitars, piano, backing vocals


Enjoy!

Esto es una "joya, de garito....."


https://en.wikipedia.org/wiki/Billy_Joe_Shaver

https://www.dirtyrock.info/2020/10/adios-al-forajido-y-outlaw-billy-joe-shaver/




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Billy Joe Shaver
Smith's Old Bar-Atlanta, Georgia
December 3, 2000

Lineage: Soundboard Master > 1st Generation > CDR > Flac

Disc One

01 Good News Blues
02 Georgia On A Fast Train
03 Honky Tonk Heroes
04 Black Rose
05 Woman Is The Wonder Of The World
06 Love You 'Til The Cows Come Home
07 Old Chunk Of Coal
08 Honey Bee
09 Good Ol' USA
10 Bottom Dollar
11 Live Forever
12 When The Word Was Thunderbird

Disc Two

01 The First And Last Time
02 Heart's A Bustin'
03 Blue Blue Blues
04 Hottest Thing In Town
05 Banter
06 You Asked Me To
07 Long Black Veil
08 Ride Me Down Easy
09 Banter
10 Ragged Old Truck
11 You Can't Beat Jesus Christ
12 Tramp On Your Street

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The Nighthawks w/ Gregg Allman 05/08/78
Scorpion Lounge, State College, PA

low gen cassettes>dat>file cloned in microtrack>
audacity tracking>TLH8


Nine Below Zero
Are You Lonely For Me Baby?
I'm Not Satisfied
Walkin' By Myself
What A Girl Can't Do
Help Me
Shake & Finger Pop
Bring It On Home
Key To The Highway*
Can't Lose What You Never Had*
Trouble No More*
Stormy Monday*
You Don't Love Me*
One Way Out*
Don't Want No Woman#
Everybody Knows About My Good Thing#
Don't Keep Me Wonderin' *
Shake Your Moneymaker
Crossroads*
Statesboro Blues*
Next Time You See Me


Comment
* - w/ Gregg Allman (Organ, Vocals)
# - w/ Gregg Allman (Organ)

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Johnny Winter, Muddy Waters & James Cotton - The Palladium, New York, NY March 4, 1977

Source: Radio Broadcast > unknown cassette > DAT

Transfer: Sony DTC-ZE700 > optical cable > JVC XL-R2010 CD-RW (44.1 Hz)

Editing: Soundforge (tracking) > WAV > TLH [SB's aligned] Flac level 8




Johnny Winter - Guitar, Vocals
Muddy Waters - Guitar, Vocals
James Cotton - Harmonica, Vocals
Bob Margolin - Guitar
Pinetop Perkins - Piano
Charles Calmese - Bass
Willie Smith - Drums


01 Rocket 88
02 How Long Blues
03 Love Her With a Feeling
04 Talk To Your Daughter
05 Walking Through The Park
06 The Blues Had a Baby
07 Mannish Boy
08 Got My Mojo Working
09 Dust My Broom
10 Black Cat Bone
11 Instrumental 1
12 Instrumental 2
13 Killing Floor
14 Ain't That Just Like A Woman
15 High Heeled Sneakers

Total Time = 88:32 min

enjoy

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Roy Buchanan
1978-05-06
My Father's Place, Roslyn, Long Island, NY USA


Source: Pre-FM for WLIR 92.7 FM Radio Broadcast > ? > CDR > EAC > WAV > FLAC

Tracks:
01 Intro (soundcheck)
02 Just Got Back From New York (soundcheck)
03 Intro
04 Further On Up The Road
05 Soul Dressing
06 I'm A Ram/I'm Evil
07 Walkin' Talkin'
08 Baby Won't You Tell Me Where You're At
09 Can I Change My Mind (Cut)
10 Hey Joe-Foxy Lady
11 Slow Down
12 The Messiah Will Come Again
13 Crowd
14 Lonely Days, Lonely Nights
15 Outro

Running Time: 1:19:50

Personal:
Roy Buchanan: Vocals, Guitar
Fred DeLu: Hammond B3
Al Britton McClain: Bass
Ron 'Byrd' Foster: Drums, Vocals

This is a nice Pre-FM recording. Thanks to Bad Penny for sharing this last time around.

Enjoy it, Share it, just don't sell it. ~ Slickdaddyo

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PROFESSOR LONGHAIR with SNOOKS EAGLIN - 1971-09 + 1972-06 studio sessions

=== September 1971 Deep South Recorders, Baton Rouge, Louisiana ===

01. Mardis Gras In New Orleans
02. Her Mind Is Gone
03. Doing It? [instrumental]
04. Something On Your Mind
05. Cry To Me
06. Since I Met You Baby
07. Jambalaya
08. Mess Around [instrumental]
09. I Got A Woman
10. Rum & Coke [instrumental]
11. Goin' Home Tomorrow
12. Sick And Tired

=== June 1972 Ardent Studios, Memphis, Tennessee ===

01. Mean Old World
02. Whole Lotta Lovin'
03. Sick And Tired
04. Stag-O-Lee
05. Bald Head
06. Is Everything Alright
07. Blue Jay Boogie
08. 3 O'Clock In The Morning - Snooks Eaglin solo
09. Tipitina (2) [alternate mix]
10. Junco Partner (2) [alternate take]
11. Hey Little Girl
12. Big Chief

LINEUP:
=== September 1971 Baton Rouge ===
Professor Longhair - piano & vocals
Snooks Eaglin - guitar
Shiba - drums
Will Harvey Jr. - bass

=== June 1972 Memphis ===
Professor Longhair - piano & vocals
Snooks Eaglin - guitar
Joseph "Zigaboo" Modeliste - drums
George Davis - bass


SOURCE: Studio
LINEAGE: unknown lineage > CD-R (trade) > EAC wav (hard drive) > Trader's Little Helper flac level 8 & torrent > TheTrader’sDen


Note that the great Snooks Eaglin gets 1 track for himself, singing and playing his electric guitar with no band accompaniment.

Hoy "estoy Jefferson"



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JEFFERSON AIRPLANE
Calliope Ballroom, San Francisco, CA

November 6, 1965


San Francisco Mime Troupe Appeal Party I, first Bill Graham production


1. It's No Secret
2. Tobacco Road
3. Runnin' Round This World

Signe Toly Anderson - vocals
Marty Balin - vocals, guitar
Paul Kantner - guitar, vocals
Jorma Kaukonene - guitar
Jack Casady - bass
Jerry Peloquin - drums


Winterland, San Francisco, CA
October 7, 1966

4. Takeoff Jam
5. Go to Her
6. Don't Slip Away
7. And I Like It
8. High Flying Bird
9. Fat Angel
10. It's No Secret

Signe Toly Anderson - vocals
Marty Balin - vocals
Paul Kantner - guitar, vocals
Jorma Kaukonene - guitar
Jack Casady - bass
Spencer Dryden - drums

Los tres temas del 65' tiene claramente una grabación de inferior calidad

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Jefferson Airplane
1966-09-30 (Late)
San Francisco, CA
Winterland Arena

Source: Soundboard
Lineage:
Quality: 9
Comments:
Notes:

Set 1:
01. Go To Her 05:23
02. Runnin' Round This World 02:57
03. Don't Slip Away 03:01
04. Come Up The Years 03:01
05. Bringing Me Down 03:13
06. High Flying Bird 03:49
07. Fat Angel 05:59
08. Chauffeur Blues 03:26
09. Three Fifths Of A Mile In 10 Seconds 06:10
________
00:36:59

El último concierto de Signe con la Jefferson



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JEFFERSON AIRPLANE
Fillmore Auditorium, San Francisco
October 15, 1966 - late show

Signe's Last


Excellent quality

There is another version of this show circulated under the same title, but being incomplete and of inferior audience quality, unlike this soundboard version.

1. Jam
2. 3/5th Of A Mile In 10 Seconds
3. It's Alright
4. Tobacco Road
5. Come Up The Years
6. Go To Her
7. Fat Angel
8. And I Like It
9. Midnight Hour
10. Goodbye to Signe
11. Chauffeur Blues
12. High Flying Bird
13. Goodbye to Signe

Signe Toly Anderson - vocals, Marti Balin - vocals,
Jorma Kaukonen - guitar, Paul Kantner - guitar,
Jack Casady - bass, Spencer Dryden - drums

El primer concierto de Grace con la Jefferson




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JEFFERSON AIRPLANE -
Fillmore Auditorium, San Francisco
October 16, 1966


Grace's First
Excellent quality

There is audience version of this show with less tracks and of inferior audience quality, unlike this soundboard version.

EARLY SHOW
1. The Othe Side Of This Life
2. Let's Get Together
3. Let Me In
4. Don't Let Me Down
5. Run Around
6. It's No Secret
LATE SHOW
7. Tobacco Road
8. Kansas City
9. Bringing Me Down
10. This Is My Life
11. High Flying Bird
12. Thing
13. 3/5 Of A Mile In 10 Seconds

Grace Slick - vocals, Marti Balin - vocals,
Jorma Kaukonen - guitar, Paul Kantner - guitar,
Jack Casady - bass, Spencer Dryden - drums

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JEFFERSON AIRPLANE -
San Luis Obispo, May 19, 1967

Excellent soundboard

POLYTECHNIC COLLEGE, SAN LUIS OBISPO, May 19, 1967 - first set
The Other Side Of This Life
Let's Get Together
She Has Funny Cars
White Rabbit
Let Me In
Today
Young Girl Sunday Blues (fragment)
Somebody To Love

POLYTECHNIC COLLEGE, SAN LUIS OBISPO, May 19, 1967 - second set
The Ballad Of You And Me And Pooneil
Tobacco Road
Runnin' Round This World
And I Like It
Jam
Won't You Try / Saturday Afternoon
Come Back Baby
White Rabbit
It's No Secret


Grace Slick - vocals, keyboards; Marty Balin - vocals;
Paul Kantner - guitar, vocals; Jorma Kaukonen - guitar;
Jack Casady - bass; Spencer Drayden - drums

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JEFFERSON AIRPLANE
25 Oct 69 & 26 Oct 69
Winterland-San Francisco, CA
A Weekend At Winterland [ This Place Records TPR CD 006 ]
SBD Recording
Lineage: ???>Qualitybootz>My PC>You



CD1:
01. Somebody To Love
02. Young Girl Sunday Blues
03. Wooden Ships
04. Volunteers
05. Won't You Try / Saturday Afternoon
06. Uncle Sam Blues
07. Fat Angel
08. Greasy Heart
09. Martha
10. The Ballad Of You & Me & Pooneil

CD2:
01. Eskimo Blue Day
02. 3/5 Of A Mile In 10 Seconds
03. Mau Mau (Amerikon) Jam
04. The Other Side Of This Life
05. Good Shepherd
06. Wild Tyme (H)
07. Greasy Heart
08. We Can Be Together
09. Come Back Baby

CD3:
01. Martha
02. Plastic Fantastic Lover
03. Drifting
04. It’s No Secret
05. The Other Side Of This Life
06. Wooden Ships
07. Eskimo Blue Day
08. You Wear Your Dresses Too Short
09. The Ballad Of You & Me & Pooneil

Line-up:
Grace Slick - vocals, piano, organ, recorder
Marty Balin - vocals, rhythm guitar
Paul Kantner - rhythm guitar, vocals
Jorma Kaukonen - lead guitar, rhythm guitar, vocals
Jack Casady - bass guitar, fuzz bass, rhythm guitar
Spencer Dryden - Percussion


This release combines two consecutive nights at Winterland on 3 CDs.
CD1 and CD2 tracks 1 to 5 are from Saturday October 25, 1969.
CD2 tracks 6 to 9 and CD3 are from Sunday October 26, 1969.

The sources used for this release are superb sounding soundboard tapes
(possibly transferred directly from the master reels), already circulating
in the past. But the present release is different than the previous
circulating versions, because the main problem of the original reels
was corrected (or at least attenuated).

Indeed, the original recordings were made using extreme stereo separation,
with vocals on the left channel only, and rhythm section on the right
channel (the guitars are often left channel oriented, but it changes
sometimes during the recording). While the stereo separation itself was
not a problem, the balance between the two channels was fluctuating a lot,
most of the time with drums too loud compared to the vocals. And even for
a single channel, there were level fluctuations too (the vocals were mixed
much louder than the guitar tracks, resulting in a left channel with very
loud vocals during the verses and barely audible guitar parts during the
instrumental sections).

The purpose of this remaster was to correct all these fluctuations
(between channels and inside each channel) so that the recording can
now be enjoyed with a good and consistent balance between the different
instruments and voices.

As usual, I also tried to clean manually every flaw that could be corrected.
A small missing portion on Eskimo Blue Day (CD2 track 1) was restored.
The intro on Good Shepherd (CD2 track 5) was partially restored too.

Please note that the remastering process did not use any EQ or NR, and that
there was no attempt to have a more "centered" recording. So, the stereo
separation is still extreme, but that's an interesting listening experience,
since you can hear all the details. If you listen only to the right channel,
you have a fantastic example of the strong interactions between Jack Casady
and Spencer Dryden, showing how much powerful and groovy this rhythm section
of the Airplane was. And if you concentrate on the left channel, you can
hear all the subtleties of the vocal harmonies.


Enjoy!
MOB.



Este lanzamiento combina dos noches consecutivas en Winterland en 3 CDs.
Las pistas 1 a 5 del CD1 y CD2 son del sábado 25 de octubre de 1969.
Las pistas 6 a 9 del CD2 y el CD3 son del domingo 26 de octubre de 1969.

Las fuentes utilizadas para este lanzamiento son cintas de caja de resonancia de excelente sonido (posiblemente transferido directamente desde los carretes maestros), ya circulando en el pasado. Pero la versión actual es diferente a las anteriores versiones en circulación, porque el principal problema de los carretes originalesse corrigió (o al menos se atenuó).
De hecho, las grabaciones originales se realizaron utilizando una separación estéreo extrema, con voces solo en el canal izquierdo y sección rítmica en el canal derecho (las guitarras a menudo están orientadas al canal izquierdo, pero cambia a veces durante la grabación). Si bien la separación estéreo en sí misma fue no había problema, el equilibrio entre los dos canales fluctuaba mucho, la mayoría de las veces con la batería demasiado fuerte en comparación con las voces. E incluso para un solo canal, también había fluctuaciones de nivel (las voces estaban mezcladas mucho más fuerte que las pistas de guitarra, lo que resulta en un canal izquierdo con voces fuertes durante los versos y partes de guitarra apenas audibles durante las secciones instrumentales).
El propósito de esta remasterización era corregir todas estas fluctuaciones (entre canales y dentro de cada canal) para que la grabación se puede disfrutar con un buen y consistente equilibrio entre los diferentes instrumentos y voces.
Como de costumbre, también traté de limpiar manualmente todos los defectos que se podían corregir. Una pequeña parte que faltaba en Eskimo Blue Day (CD2 pista 1) fue restaurada. La intro de Good Shepherd (CD2 pista 5) también fue parcialmente restaurada.
Tenga en cuenta que el proceso de remasterización no utilizó ningún ecualizador o NR, y que no hubo ningún intento de tener una grabación más "centrada".
La separación sigue siendo extrema, pero es una experiencia auditiva interesante, ya que puedes escuchar todos los detalles. Si escuchas solo el canal correcto, tienes un ejemplo fantástico de las fuertes interacciones entre Jack Casady y Spencer Dryden, demostrando lo poderosa y groovy que es esta sección rítmica era. Y si te concentras en el canal izquierdo, puedes escuchar todas las sutilezas de las armonías vocales.

Otra grabación "histórica", el "mosqueo de Marty Balin por tocar al día siguiente (no cancelar) de la muerte de Janis Joplin y Marty (que ya llevaba "cabreo" acumulado con Grace y Paul) decide y anuncia que este ha sido su último concierto con la Jefferson, "se larga"......... la explicación "del movidón" que tiene lugar sobre el escenario la he traducido (con la inestimable ayuda de Word) al español.

Había una equivocación en el concierto subido que he corregido ahora



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Jefferson Airplane - October 4, 1970 - Fillmore West, San Francisco, CA
Source: KSAN FM broadcast
Sound Rating: A-

Lineage:FM>?>Trade CD-R>EAC (Secure)>WAV>FLAC Frontend 1.1>FLAC (

One 80 min Disc. Total Time:76:37
Station ID hidden within. Uncensored comments by Grace.

Paul Kantner (vocals, guitars), Marty Balin (vocals), Jack Casady (Bass), Jorma Kaukonen (guitars, vocals), Joey Covington (percussion), Grace Slick (vocals).

1. Have You Seen the Saucers
2. Crown of Creation
3. Somebody to Love
4. Mexico
5. Up or Down
6. Whatever the Old Man Wants
7. Emergency
8. Wooden Ships
9. Bludgeon of a Bluecoat
10. Greasy Heart
11. You Wear Your Dresses Too Short
12. We Can Be Together
13. Volunteers




Notes edited from Ahuka's Choice Volume 6: This is one of Jefferson Airplane's most visible live performances. On Sunday night, October 4, 1970, the Airplane played the first of two headlining evenings at Fillmore West, sharing the bill with The Grateful Dead, Quicksilver Messenger Service, The New Riders of the Purple Sage (with ex-Airplane drummer Spencer Dryden), and of course, Hot Tuna.
The concert was simulcast on KSAN-FM in stereo, and also televised on public television station KQED, with a quadrophonic signal broadcast on KQED-FM. It was to be an historic evening.

It had been an historic day. Janis Joplin had died the night before, in Hollywood, California, of a heroin overdose. Marty Balin, deep in mourning for her, wanted to cancel the Fillmore performance but was a minority vote.
Taking the stage with a full beard that made him look even more melancholy, Balin sounded distinctly out of place throughout the show. He steers a resplendent "Have You Seen The Saucers" toward a quiet place, but is abruptly overruled by the band, who proceed to turn it into a lacerating Grace Slick rave-up that seems to be fighting the spectre of Death itself off the stage. It only follows with musicians of this caliber that the concert packs some incredibly hot moments -- bassist Jack Casady powerfully upping the ante in the homestretch of "Somebody to Love", and a rare live performance of drummer Joey Covington's "Bludgeon of the Bluecoats" (an outcry against police brutality that the band later recorded in the studio with Little Richard, and never released) that is played with such superhuman speed and dexterity by lead guitarist Jorma Kaukonen that Covington actually begs him to slow down -- but this is definitely music born under a bad sign. The poignancy of "Wooden Ships" seems to weigh on Balin particularly, and even the good-natured sexual braggadoccio of his white soul number "Emergency" rings hollow. As an extended, chugging "Volunteers" threatens to keep him onstage longer than he can bear, Balin interrupts the jam with "Look what's happenin' out in the streets," forcing the wind-up. As the song careens to its sloppy, aggravated end, Balin sings what would be his last line as an active member of Jefferson Airplane until 1989: "Gotta revolution -- oh yeah, and I need a new band!"

Marty Balin would not sing again as an active member of Jefferson Airplane until their short-lived reunion album and tour of 1989. (He was coaxed onstage at the Airplane's final concert at Winterland in 1972 for an encore of "Baby You Wear Your Dresses Too Short.")

The simulcast of the concert ensured that high quality tapes were in circulationg the very next day, and it was not long before bootleg albums surfaced. Both ALMOST STARSHIPSHAPE (Ze Anonym Plattenspieler #ZAP 7855) and TALES FROM THE MOTHERSHIP (Mammary Productions #MM6) were prevented by vinyl limitations from using the entire concert; STARSHIPSHAPE sacrificed "Up or Down", "The Old Man" and "Bludgeon of the Bluecoat", and MOTHERSHIP dropped "Crown of Creation," "Somebody to Love," "Bludgeon" and "Greasy Heart."

The next night, Jefferson Airplane returned to Fillmore West without Balin. Joining them was a new member, electric jazz violinist Papa John Creach, recruited by drummer Covington. Black, bald, in his mid-fifties but comporting himself like a much older man, Creach was easy to mistake at first sight for the latest Airplane prank, but when he plugged in and sweetly sawed his way up the neck of his fiddle, it was impossible not to be astounded by his musicality and charmed by his stage presence.

No tapes have surfaced over the years of the band's first show with Creach, nor from the two week tour of the Midwest that immediately followed.





Notas editadas de Ahuka's Choice Volumen 6: Esta es una de las actuaciones en vivo más visibles de Jefferson Airplane. La noche del domingo 4 de octubre de 1970, The Airplane tocó la primera de dos noches como cabeza de cartel en Fillmore West, compartiendo cartel con The Grateful Dead, Quicksilver Messenger Service, The New Riders of the Purple Sage (con el ex baterista de Airplane Spencer Dryden) y, por supuesto, Hot Tuna.
El concierto fue transmitido simultáneamente por KSAN-FM en estéreo, y también televisado por la estación de televisión pública KQED, con una señal cuadrofónica transmitida por KQED-FM. Iba a ser una velada histórica.

Había sido un día histórico. Janis Joplin había muerto la noche anterior, en Hollywood, California, de una sobredosis de heroína. Marty Balin, sumido en su luto por ella, quiso cancelar la actuación de Fillmore, pero fue un voto minoritario.
Al subir al escenario con una barba poblada que lo hacía parecer aún más melancólico, Balin sonó claramente fuera de lugar durante todo el espectáculo. Dirige una resplandeciente "Have You Seen The Saucers" hacia un lugar tranquilo, pero es abruptamente anulada por la banda, que procede a convertirla en una lacerante delirio de Grace Slick que parece estar luchando contra el espectro de la muerte misma fuera del escenario. Solo con músicos de este calibre el concierto contiene algunos momentos increíblemente calientes: el bajista Jack Casady subiendo poderosamente la apuesta en la recta final de "Somebody to Love", y una rara actuación en vivo de "Bludgeon of the Bluecoats" del baterista Joey Covington (una protesta contra la brutalidad policial que la banda grabó más tarde en el estudio con Little Richard,  y nunca lanzado) que es tocado con una velocidad y destreza tan sobrehumanas por el guitarrista principal Jorma Kaukonen que Covington en realidad le ruega que disminuya la velocidad, pero esta es definitivamente música nacida bajo una mala señal. La conmoción de "Wooden Ships" parece pesar particularmente sobre Balin, e incluso la fanfarronería sexual de su número de soul blanco "Emergency" suena hueca. Mientras una extendida y resoplante "Volunteers" amenaza con mantenerlo en el escenario más tiempo del que puede soportar, Balin interrumpe la improvisación con "Look what's happenin' out in the streets", forzando la cuerda. A medida que la canción se acerca a su final descuidado y agravado, Balin canta lo que sería su última línea como miembro activo de Jefferson Airplane hasta 1989: "Tengo una revolución, oh sí, ¡y necesito una nueva banda!"

Marty Balin no volvería a cantar como miembro activo de Jefferson Airplane hasta su efímero álbum de reunión y gira de 1989. (Fue persuadido para que subiera al escenario en el concierto final de The Airplane en Winterland en 1972 para un bis de "Baby You Wear Your Dresses Too Short").

La transmisión simultánea del concierto aseguró que las cintas de alta calidad estuvieran en circulación al día siguiente, y no pasó mucho tiempo antes de que aparecieran álbumes piratas. Tanto ALMOST STARSHIPSHAPE (Ze Anonym Plattenspieler #ZAP 7855) como TALES FROM THE MOTHERSHIP (Mammary Productions #MM6) no pudieron usar todo el concierto debido a las limitaciones del vinilo; STARSHIPSHAPE sacrificó "Up or Down", "The Old Man" y "Bludgeon of the Bluecoat", y MOTHERSHIP lanzó "Crown of Creation", "Somebody to Love", "Bludgeon" y "Greasy Heart".

A la noche siguiente, Jefferson Airplane regresó a Fillmore West sin Balin. A ellos se unió un nuevo miembro, el violinista de jazz eléctrico Papa John Creach, reclutado por el baterista Covington. Negro, calvo, de unos cincuenta años pero comportándose como un hombre mucho mayor, Creach era fácil de confundir a primera vista con la última broma de Airplane, pero cuando se enchufó y se abrió paso dulcemente por el mástil de su violín, era imposible no asombrarse por su musicalidad y encantarse por su presencia en el escenario.

No han aparecido cintas a lo largo de los años del primer show de la banda con Creach, ni de la gira de dos semanas por el Medio Oeste que siguió inmediatamente.



NOTA "propia".- El resto de la banda también estaba jodida por la muerte de Janis pero eran de la opinión de que, en su memoria, NO debían cancelar si no "ir a saco"........

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Frank Zappa and the Mothers of Invention
Rockpile Toronto - 02 23 1969

Sbd - Sound: A-
Liberated bootleg: "Pachuco hop"



1. Intro
2. Bacon Fat
3. (Those) Lonely Lonely Nights
4. Corrido Rock
Pachuko Hop
Behind The Sun
5. The String Quartet > Charles Ives
6. WPLJ
7. In The Sky
8. All Night Long


lineage: Cd-R>EAC>SHN>YOU

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Frank Zappa
1974 05 08 Edinboro, PA 121.46 SBD

Disc One:

Edinboro 5/8/74 (Part 1)

1. Intros (3:29)
2. Cosmic Debris (11:19)
3. In Between (1:40)
4. Pygmy Twilite (6:52)
5. The Idiot Bastard Son (2:11)
6. Cheepnis (4:34)
7. In Between (0:46)
8. Inca Roads (11:33)
9. Montana (2:23)
10. Dukie Schtick (5:22)
11. Improvised Lounge Music (8:04)


Disc Two:

Edinboro 5/8/74 (Part 2)

1. Dupree's Paradise (complete) (20:39)

Anniversary Medley:

2. It Can't Happen Here (2:54)
3. Hungry Freaks Daddy (2:35)
4. You're Probably Wondering Why I'm Here (2:31)
5. How Could I Be Such a / Zowie (0:52)
6. Let's Make the Water Turn Black (1:55)
7. Harry You're a Beast / Oh No (1:56)
8. Son of Orange County (13:08)
9. More Trouble Every Day (8:48)
10. Camarillo Brillo (4:33)

Bonus Tracks:

11. Cosmic Debris & Manny Moore (0:32)

"Mystery" Bonus Tracks:

12. Unknown Track 1 (7:20) ???
13. Unknown Track 2 (4:11) Stinkfoot
14. Unknown Track 3 (6:49) Flambay

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Frank Zappa
Live At Parc De Penfeld, Brest, France, March 19th 1979

Lineage:
My silvers.
EAC (secure mode) > WAV (& spectrograms included)
Trader’s Little Helper > FLAC Level 08 (checksums included)
Tracker > You

Setlist:

CD 1
01. Intro
02. Persona Non Grata
03. Band Introduction
04. Dead Girls Of London
05. I Ain't Got No Heart
06. Brown Shoes Don't Make It
07. Cosmik Debris
08. Tryin' To Grow A Chin
09. City Of Tiny Light
10. Dancin' Fool
11. Easy Meat
CD 2
01. Jumbo Go Away
02. Andy
03. Inca Roads
04. Florentine Pogen
05. Honey Dont You Want A Man Like Me ?
06. Peaches En Regalia
07. Montana
08. Dirty Love

Band:
Frank Zappa - Guitar, Vocals
Ike Willis - Guitar, Vocals
Denny Walley - Slide Guitar, Vocals
Warren Cucurullo - Guitar
Tommy Mars - Keyboards
Peter Wolf - Keyboards
Arthur Barrow - Bass
Ed Mann - Percussion
Vinnie Colaiuta - Drums





Hoy estoy "de dos Frank(s)"; luego pasaré de Zappa a Sinatra, lo que desde luego es casi "un salto al vacío".......

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FRANK SINATRA
Oakland Coliseum
Oakland, CA
1968-05-22

SBD > ? > BOOTLEG CD [BAYSOUND 6805] > ? > FLAC

01 Dan In, Day Out (Mercer/Bloom)
02 I Get a Kick Out of You (Porter)
03 Moonlight in Vermont (Blackburn/Suessdorf)
04 The Lady is a Tramp (Rodgers/Hart )
05 I Have Dreamed (Rodgers/Hammerstein)
06 I've Got You Under My Skin (Porter)
07 That's Life (Kay/Gordon)
08 Ol' Man River (Hammerstein/Kern)
09 All I Need Is The Girl (Sondheim/Styne )
10 Willow Weep for Me (Ronell)
11 Goin Out of My Head
12 Nancy (Silvers/Van Heusen)
13 Fly Me to the Moon (Howard)
14 It Was a Very Good Year
15 My Kind Of Town (Cahn/van Heusen)
16 *Frank Speech, Thanks the Crowd*
17 High Hopes / Vote for Kennedy

Notes:
This concert bootleg is hard to find and pricey, but it will hold plenty of interest for die-hard Frank Sinatra fans. Backed by a full orchestra, Sinatra is in excellent voice and the song selection is first-rate, with the exception of the "mod" "Goin' Out of My Head," which suits the singer about as well as love beads and platform shoes.
The concert contained on this disc was a big Democratic Party fundraiser, and it was very rare for Sinatra (or any other performer) to do stadium shows at this time. Sadly, such massive concerts would become Sinatra's main musical activity throughout the '70s and '80s. Since this concert was a fundraiser for a Democratic candidate, the bootleg also includes Sinatra's reworking of "High Hopes" for John Kennedy's presidential campaign as a bonus.

Esto SÍ que es fuerte, Franky actúa en La Casa Blanca en la recepción que Nixon, un tramposo, da a Giulio Andreotti que es un mafioso, y por tanto un criminal.... siempre ha estado considerado "como sospechoso" en que Aldo Moro "no saliera vivo del secuestro".......


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Frank Sinatra
The White House
Washington, DC
April 17, 1973

source: sbd (fm?) > ? > cdr > eac > shn

1. Intro by Richard Nixon
2. You Make me Feel so Young
3. Moonlight in Vermont
4. One More for the Road
5. Ive got you Under my Skin
6. I will Love being Loved by you
7. Fly me to the Moon
8. Try a little Tenderness - w/ Al Viola
9. Old Man River
10. Im in Love/ Thanks You to President Nixon and the Prime Minister of Italy
11. Thats America to me
12. Outro by Richard Nixon


Comments:
Concert for Prime Minister of Italy, Thrown by President Nixon

Cierre de "Franks Session", mañana será "otro día" y n.p.i. de lo que subiré; decisión "sobre la marcha" (como los séis últimos días) a partir de entre 6-7 a.m. (en Canarias)...




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Frank Sinatra & Liza Minelli
Meadowlands Arena
East Rutherford, NJ
December 6th 1987

FM-SBD (bootleg cdr: Vocaleaze Records VECD-0102 - released 1999)
>EAC>WAV>FLAC

Setlists:

1. But The World Goes Round
2. Cabaret
3. You Are The Sunshine Of My Life
4. Where Or When
5. The Summer Wind
6. You Make Me Feel So Young
7. You Will Be My Music
8. A Birthday Surprise!
9. Medley: The Gal That Got Away > It Never Entered My Mind
10. One For My Baby
11. All Of Me
12. My Way
13. Mack The Knife

Frank & Liza's New York Medley:

14. Liza > New York, It's A Helluva Town > I'll Take Manhattan >
East Side, West Side > The Bowery > 42nd Street
15. Broadway Baby
16. Autumn In New York
17. I Happen To Like New York
18. How About You?
19. Theme From New York, New York

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Marvin Gaye
Budokan
Tokyo, Japan
13 November 1979

SBD / FM ? > ? > CDR > EAC > FLAC > dime > hd > Wav Combiner 1.1.1.1 > Wave Repair 4.9.4 to remove gaps between tracks, tailing silence at the end > flac, sector align.

01. Got to Give It Up
02. After The Dance
03. What's Going On
04. Save The Children
05. Inner City Blues (Make Me Wanna Holler)
06. Funky Space Reincarnation
07. How Sweet It Is (To Be Loved By You)
08. Band Intro/Trouble Man
09. Ain't That Peculiar - You're A Wonderful One
10. Stubborn Kind of Fellow
11. Pride and Joy
12. Little Darlin' (I Need You)
13. Heard It Through the Grapevine
14. Hitch Hike
15. You
16. Too Busy Thinking About My Baby
17. Distant Lover
18. Thank You/Goodnight > FM radio host?

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Marvin Gaye
??/??/83

Venue - unknown
City - Atlanta
State - Georgia

01 I Heard It Through The Grapevine
02 Come Get To This
03 Let's Get It On
04 God Is Love
05 What's Going On
06 Inner City Blues (Make Me Wanna Holler)
07 Joy Medley/Ain't Nothing Like The Real Thing/Your Precious Love
08 Love Twins/If This World Were Mine
09 Rockin' After Midnight
10 Distant Lover
11 Sexual Healing



************************* DO NOT ENCODE INTO MP3 OR OTHER CRAPPY FORMATS! ***************************
========================= DO NOT SELL OR PROFIT FROM THIS! TRADE IT!!!!! ===========================

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Aretha Franklin
6-12-1971
Montreaux Jazz Fest
Switzerland
SBD>?>DAT>AIF>FLAC

1 Soul Serenade
2 Respect
3 Natural Woman
4 I Say a Little Prayer
5 Call
6 Just Because of You>Share Your Love With Me
7 Don't Play That Song(You Lied)
8 Bridge Over Troubled Waters
9 Dr. Feelgood>Spirit In The Dark

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Aretha Franklin
July 15, 1994
Baltimore, MD
Lineage:
DAT master > Sony PCM-R500 (playback) > HHB CDR-850 (burning) > CDR, then
CDR > EAC > WAV > Editing (see below) > FLAC Frontend > FLAC >Qualitybootz >You

Excellent digital soundboard recording (from DAT master).


Setlist:
01. announcements
02. instrumental intro
03. I Knew You Were Waiting
04. Share Your Love With Me
05. Spanish Harlem
06. Angel
07. Chain Of Fools
08. Respect
(Tracks 09-11 are "Optional" tracks--burn them or skip them)
09. introducing her son's act
10. her son's [Kecalf] rap act
11. commenting on her son's act
12. band intro and banter
13. You Send Me
14. A Deeper Love
15. Willing To Forgive
16. Freeway Of Love
17. The Greatest Love of All